Tuesday, May 10, 2011

#39 5/1-2 At Sea

Pictures:
1. This is the sunrise on May 1st while we were at sea.  You can see that the waves off the stern of the ship are pretty insignificant.  The brown smudge on the left is the exhaust from our engines falling far astern.  I've never smelled diesel exhaust on our veranda and it faces directly aft at the back of the ship.
2. This is the Rock of Gibraltar the next day.  As you can see we have sailed out of the bad weather that kept us from Motril earlier in the day.  The far peak of the rock is the logo for Prudential Insurance.  It's also the far end of the Rock.  On the only really flat part of the rock you can see a white structure with a tall spire.  This is the mosque that serves the Rock's 17 Muslims.  The King Saudi Arabia has made it his business to build mosques all over the world, even where there's almost no Muslims.  At the end of the Rock on the left is Europa Point and the old fortifications.  The Rock is riddled with tunnels dug for defensive purposes during various wars.  One large room in the caves serves as a theater for plays and concerts.
3. This is the Rock looking at it from end to end from the south in the middle of the Strait of Gibraltar.  The mountain in the distance is Spain as is the land on the right.  The city in the distance is also in Spain.
 
Short entry today as I wanted to send some pictures from these days.
 

May 1 – At Sea.  Another planned day at sea.  Today they have a program called 'On Deck for the Cure'.  It's a 5k walk for the Susan G. Komen Foundation for the Cure, a breast cancer research and awareness group.  HAL does this on all its ships and has raised over two million dollars for the cause.  The ship clears the program for this event so if you're not walking there's not much else to do.  The only other special event was the Thé Dansant.  The ship has an afternoon tea every day but today they've scheduled a tea dance.  Usually the string trio plays for teatime in the dining room but today the orchestra will be playing in the Showroom at Sea for tea.

 

The evening's entertainment was the Prinsendam Singers in a program called Street Singin'.  It was a night of songs that had their genesis on the streets of Philadelphia in the 1950s.  Street Corner Music, as we called it (I lived in eastern Pennsylvania at the time), could be heard on Philly's streets any night of the week.  These male groups could be 2 to 4 people and sang in the close harmony style that has become to be known generally as Doo Wop.  I enjoy harmony so this was a great evening for me.

 

May 2 – At Sea.  Another unplanned day at sea.  Today we were supposed to be in Motril, Spain.  The weather is terrible and there's no chance to get into the harbor and therefore it's a sail-by for us today.  This creates a normal day at sea for me.  Nothing much special is on the schedule as we were expecting to be ashore. 

 

Because we didn't stop at Motril we had a daylight passage past the Rock of Gibraltar and through the Straits.  This gave us a chance for some great photos of The Rock although the peaks were mostly covered in clouds.

 

Because entertainers are getting off tomorrow we had a variety show.  Three of the past entertainers split a show so Perry Danos, the guitarist, Mike Goddard, the comic and Katzenjammer, the pianists all performed a very enjoyable show.

 

Sunday, May 8, 2011

#38 4-29 At Sea and 4/30 Cagliari, Sardinia, Italy

Pictures:
1. This is the Saint Christina Gate in the East Castle wall with the Tower of Saint Pancras in the background. (I know I named the picture incorrectly.  It's not the Elephant Tower)
2. This is the new part of Cagliari from the castle ramparts.
3. The four flags on the Sardinian District offices.
4. Saint Michael's Chapel in the Cagliari Cathedral the Church of Saint Mary.
5. Sardinian Folk Dancers.  Talk about four different expressions, five if you include the man.
6. Line dancing Sardinian style.  You can see the collars I was trying to describe.
7. Sailing out of Caglilri.  That's the dome of the arsenal in the center background and the St. Pancras tower to the left of it.  Our tug is on the right just entering the breakwater.
 
 
 

April 29 – At Sea.  Today's a planned day at sea and a triple-header on the celebration front.  First, it's Diana's birthday.  Second, there's the Royal Wedding.  Third, Carnival Corporation is accepting delivery of its one hundredth ship today.

 

Lets deal with these from least important to most important.  Carnival took delivery of the Carnival Magic today making their total ship count to 100.  Carnival, Inc owns 10 cruise lines including Holland America, Carnival, Princess, Cunard and Seabourn.  113,500 rooms afloat carrying almost a quarter million passengers at any given time.  Tonight they're going to have a toast in the dining room to celebrate.  Any excuse for a celebration.

 

The Royal Wedding is causing quite a stir on the ship, mostly among the women.  The ship has decided to show the coverage in the main showroom on three huge TV screens starting at 9AM ship's time.  Where we are the ceremony will be on at Noon.  Our travel agent's escorts have a chat time from 11 to Noon every sea day but Lucia is going in to watch the wedding so Henk has to cover the chat.  Usually it's mostly women who show up and talk about shopping, both past and future, but today it's five men and no women.  We adjourned early leaving poor Henk to fend for himself.  I decided to grab a quick lunch and then watch the actual ceremony.  After all I watch Chuck and Di get married and look at all the good luck it brought them.

 

All I can say is that the bride was beautiful, the little girl attendants were very cute and everyone comported themselves with dignity and decorum.  Seem somehow fitting that the Obamas and the Syrians were not invited.  I can't really blame them, you just don't reach out and hug the queen and a DVD of some of your speeches is just not an adequate gift of state.  As for the Syrians, well you just can't take them anywhere.  It was nice of Kate to offer to change the wedding date so we could be there but we told her that getting married on Diana's birthday was honor enough.

 

The best part of the ceremony was when, as the bride and her entourage turned into the church proper and came into sight, Harry was looking over his shoulder and saw them.  He leaned over and whispered in William's ear, "If you're going to run you have to leave now!"  Classic younger brother stuff.  I wish them well and hope that they have a long and happy marriage.

 

Diana's birthday was a success as well.  We celebrated by going to the Pinnacle Grill.  They are having a Le Cirque dinner night.  They ditch their regular menu and feature dishes from the menu of the Le Cirque restaurant in New York.  The food was excellent but that's not really a surprise.  Their regular menu is excellent as well.  We had a good time and a nice bottle of wine.

 

Our entertainers were Katzenjammer, '4 hands, 1 piano.'  We've seen them before and they are very good indeed.  They are both somewhat height challenged and very funny.  They sit on the piano bench and play the piano at the same time.  They always point a video camera at the keyboard and put their hands on the large TV screens on either side of the stage.  They wear contrasting color long sleeve shirts, in this case black and white so you can follow who's who.  They use flamboyant arm motions and play using very complex routines where sometimes one hand of each man is playing over the same octave of the keyboard.  One on them has to bridge the hand of the other and play very near the top of the keys.  They manage to play in every conceivable arm location.  It's fun to watch.  They also have a great sense of humor.  I always enjoy them.

 

April 30 – Cagliari, Sardinia, Italy.  This is a new port for us today as well as a new island.  What that usually means is that we will stick to the city and see what it has to offer.

 

Sardinia is the second largest island in the Mediterranean after Sicily.  It had been inhabited since prehistory and was the Kingdom of Sardinia for most of the last millennium until it became part of the Kingdom of Italy in 1861.  Cagliari (cal-yah'-ree) was the capital of the Kingdom of Sardinia and has been a major port since Roman times.  It has a very nice bay making for a great natural harbor.

 

This is another of those cities with an upper and lower are.  The upper areas are almost all the oldest part.  Their altitude made them more easily defensible when that was important.  The city is divided into four districts three in the lower, newer city and the last, Castello, the upper city.

 

Our bus drove us around part of the new town and dropped us off at a narrow road that leads up to the old city and through a large gate in the city wall.  Small cars can still drive up here so walking the narrow street is somewhat hazardous.  We entered a the small Piatza Arsenale where there are three gates, one each through the city wall on the east and west, respectively the Porto di San Cristina and Porto San Pancrazio, and one on the north leading into the Regio Arsenale (Royal Arsenal).  The arsenal now has a very peaceful use, it's home to the Cittadella dei Musei made up of several museums among which are the National Picture Gallery, the Communal Arts Gallery and the Regional Ethnographic Museum.  In the Thirteenth Century this plaza had been little more than a very narrow connection between the Citadel and the Palace.

 

A large tower, the Torrre San Pancrazio, crowns the San Pancrazio Gate.  It's the tallest point in the Castle and therefore the highest point in the city.  The structure, like many built in early 1300s in the future Italian state, is enclosed on three sides by very thick walls with slits for the soldiers to engage the enemy.  The side towards the castle interior is open and allows a view of the galleries on all four floors of the structure.  Most of the towers of the city wall of Pisa are of the same design.

 

From the Arsenale we walked through the Saint Cristina Gate out of the Castle and a little down the hillside to view the ancient Roman theater.  In the Second Century this 10,000-seat structure was the site where many Christians were thrown into the arena with lions and other wild animals by the increasingly paranoid government of Rome.  Is it just me, or does it seem a little odd to you that just a century later this same government would be propagating Christianity by violent means also?  Just another reminder that any large endeavor that involves human beings is more than likely corrupt or misguided at one level or another.  Sadly that's the world we live in and the best we can hope for is that we make some small difference in the part of it that we can influence, as small as that may be.

 

We returned to the Castle and walked south from the Arsenale further into the Castle to the Piazza Independenza.  The Archeological Museum of Cagliari is here and also many 3 and 4 story homes, all with at least one common wall and usually two.  Based on the mailboxes on each they either always have been or are now divided by story into apartments.  In some it seemed like the first two stories were one dwelling.

 

Continuing south through the Castle we came to an overlook that gave us a good view of the city looking eastward.  It was very easy to see how much newer the lower city was.  Leaving the overlook we arrived in the Piazza Palazzo and the Vice-regent's Palace.  This is the governmental seat of the District of Cagliari.  They fly four flags from the poles attached to the main entrance's patio, the EU flag, the Italian flag, the Sardinian flag and the Cagliarian flag.  They honor the powers that ruled the island throughout history. 

 

A little farther down the piazza we came to the Cathedral of Saint Mary.  Originally constructed in 1254, it became the Cathedral of Cagliari in 1313.  The first structure was the Pisan version of Romanesque but later enlargements and additions have changes much of the structure to Baroque style.  The most comprehensive of these involved significant interior changes.  For example, the original pulpit, a masterpiece carved by Guglielmo and given to the cathedral by the City/State of Pisa, was cut in half and mounted on the back wall of the building between the two entries from the narthex.  The high relief carvings on it appear to be scenes from the life of Jesus.  I'm glad they saved it, for a carving from the Eleventh Century it's in great shape.  The four marble lions that supported it are now at the foot of the balustrade to the presbytery.

 

As is usual in buildings that have been built in earlier ages and then updated to the Baroque style, the outside of the cathedral, now neo-Romanesque, gives no indication of the richly decorated interior.  Although not as ornate as a church actually built in the Baroque era, it's nevertheless more than elaborate enough to give you a little start when you enter.  In addition to the old pulpit several of the chapels are noteworthy.  The Saint Michael's Chapel is full bore Baroque bordering on Rococo.  Its large centerpiece, carved from one block of pure white marble, shows Saint Michael casting Satan and his demons out of heaven in the large flames below.  Atop the reredo are a group of cherubs surrounding a triangle of fire with golden rays, the traditional symbol of the Trinity.  On either side are two large spiral columns made of gold, tan and white colored marble.  A very well executed altar that, when taken with the quality of the original interior décor, indicates the importance of this church and city in the past.

 

We continued south along the city wall to the San Remy Bastion.  It was raining pretty hard by the time we arrived there and we ducked into a small café for some hot coffee.  By the time the women had all gotten through the WC line the rain had let up and we continued through the south gate and down to the new town Marina quarter to catch our bus. 

 

Our next destination is a restaurant for a snack and some folk dancing.  It proved to be much more than that.  When we arrived we were greeted by men in Sardinian costume playing some flute like instruments and ladies, also costumed, handing out small glasses of a grape brandy, not unlike grappa on the mainland.  That produced a quick start to the festivities.  We were escorted down a hall and across a patio to a covered open-air garden with long tables arranged like spokes in a wheel around an open area.  The tables were set with plates and utensils, both still and carbonated water, pitchers of red and white wine, bowls of olives and radishes and ornately twisted small loaves of crusty bread.  For a 'snack' this was starting off very well indeed.

 

As we sat, talking and drinking, the ladies showed up again carrying plates of Parma ham, pepperoni, a very fine white cheese and very thin and crisp bread.  While they were serving two men were playing the accordion and guitar.  When the serving was complete an older man dressed similarly to the young men but with a fine golden embroidered vest and dark cape came out to sing.  He has a very strong baritone voice and sang in the Sardinian language, which doesn't sound much like Italian to me.  The meats were excellent, especially the thinly sliced ham.

 

When his song ended the ladies were back with a different cheese and bread for us to try.  The cheese was aged I'm sure because it was very firm and also tasty.  I asked our guide what it was and she said it was the local cheese made from sheep's milk.

 

When these items were served the ladies and men gathered in the center with the soloist and sang some more traditional Sardinian songs.  The words were lost on me the music was enjoyable.  Some of the songs were obviously sad laments, like Portuguese fado, others were joyous and happy.  When the songs were over the soloist stepped away and the rest of the chorus became a dance troupe. 

 

The costumes were colorful in that each one used the same maroon material for the middle of their ankle length dresses but above and below that they had printed material of several different patterns.  Over the dress they each wore an apron of the same material as the print portion of the dress with a square of the maroon fabric adjacent to the top in the center.  They work a black vest-like jacket over the dress.  Each had a headband to which a waist length white scarf was attached.  The most unique part of the outfit is the collar.  I'm somewhat at a loss to know how to describe it.  It creates a large oval opening that allowed some of the ladies to brag a bit about their bust line, others were more demure.  It's made from lace and has long pointed, leaves around its entire circumference.  The leaves behind the girl's head were pointing upward forcing those on her shoulders to stand up as well.  Each was basically the same type but had different designs in the lace.  The men wore tall black boots with white pants tucked into them with a black short skirt over the pants not unlike the Greek folk outfit.  They wore puffy sleeved white shirts with colorful embroidered vests. 

 

The dancing was energetic and usually themed.  In one dance the man would do some fancy steps and then try to entice one of the ladies to be his partner.  If his offered arm was refused, he'd dance even harder and eventually get to the lady who would accept.  Some of the dancing was footwork performed in a line and others were more like square dancing moves but done starting in a line rather than a square.  It was a great deal of fun watching them and they seemed to be having a good time too.

 

Our snack wound up being as much lunch as anyone would want to eat so on arrival back at the ship I began an earnest attempt to catch up on my journal.  I did take a break to go out on my veranda to watch the sail away from Cagliari.  It's a very pretty village with a nice skyline, the castle and all on the hill.  The tug assisting us from the pier was one of the new type where either end can be the bow depending on what you're doing.  The propellers are suspended under the tug on pods that can be swiveled 360 degrees to provide propulsion in whichever direction suits the current task.  This tug is also a fireboat and has two high-pressure, remotely controlled nozzles mounted above either side of the pilothouse.  The only unusual thing about the tug was the captain.  It was a woman.  I haven't seen many women in that job around the world.  I don't look at every tug we encounter but this is the first time I've seen a lady tug pilot.  Outstanding!!

 

Our entertainer was Robin Hill, a classical guitarist.  He was good and I really enjoyed his rendition of Mason Williams' Classical Gas.

Thursday, May 5, 2011

#37 At Sea & Katakolon (Olympus), Greece 4/27-28

Pictures:
1. These are the three sets of columns marking the two lane 'indoor' track of the Gymnasium which extends to the right and back for hundreds of yards.
2. The columns in this picture are from the Palestra where the indoor event training building.  The tree that's blooming is a Judas Tree.  Named because it almost always blooms at Easter.  The low wall in the foreground is the west sanctuary wall putting the Palestra outside the religious zone.  I try to include some people for a sense of scale for buildings.
3. The Temple of Zeus with one column reconstructed.  The stone platform it rested on is about 8 feet high.  The people you see in front are quite a way from the structure itself.
4. This bowl and the pillars were part of the Nymphaeon, Olympia's water central.  The bricks are the foundation for the two story structure that stood behind the semicircular pool.
5. The 200+ yard long Stadium.  The entry in the lower right was entirely covered in stone with an arched top.  Only athletes, priests and judges could enter through it.  Spectators had to climb up and come down the slopes inside.  You can see the stone outline of the VIP section on the far side of the track and the white marble start/finish line running across the field.
6. This is the Phillipeon, started by Phillip II and completed by his son, Alexander the Great.
 
 

April 27 – At Sea.  Couldn't get into port today.  We were supposed to stop at Monemasia Greece but the weather was to bad, seas to high and wind to strong so we couldn't perform safe tendering operations.  It's really sad, as this is the site of the last Byzantine stronghold and a very interesting place.  Consequently we will be spending the day at sea.  As we sailed around the Peloponnesian Peninsula the weather improved and things calmed down quite a bit as we sailed out of the storm. 

 

April 28 – Katakolon (Olympus), Greece.  Today we are in another new stop for us, Katakolon Greece.  We are heading out to the ancient city of Olympus the site of the ancient Olympics.  I think Diana is getting tired of looking at 'piles of rocks' as she calls them.  Frankly, I never tire of looking at ancient sites or churches.  My mind tries to fill in the blanks and imagine the lives and activities that took place in them.  Too much imagination for my own good sometimes.

 

The Ancient Olympics started in 776BC and were held in honor of Zeus, chief deity of the Pantheon.  They continued until 393AD at which time they were banned by order of Theodosius I the Byzantine Emperor.  Shortly thereafter Theodosius II banned worship of the ancient gods and had the temples destroyed.  From beginning to end they held 293 competitions.

 

Olympia was not a normal city, like the Vatican City it was a religious center.  It was established during the Greek Geometric Period (1100-700BC).  It takes its name from the geometric designs on the pots and bronze or clay figurines that have been discovered.  There are very few architectural remains from this time.  During the Archaic Period (700-480BC) the Heroon was constructed, the stadium was first laid out and the games to honor Zeus were inaugurated.  The Heroon was the place where the winners were honored as immortals and statues made of them were installed.  It was named Heroon because the word 'Hero' found written, in Greek of course, in color on successive layers of paint on the building's altar.  The fame of Olympus spread far and wide and the number of votive offerings more than doubled.  Small treasury buildings had to be built to store the enormous number of ex-votos received from all parts of Greece.  An ex-voto is an offering to a saint or divinity.  It is given in fulfillment of a vow (Latin term= ex voto suscepto).  They could be very large statues or monuments funded by individuals or smaller, but very valuable precious stones or gold castings.  The former were displayed in front of the Stoa of Echo around the Temple of Zeus.  The latter were stored in treasury houses on the hill above the entrance to the stadium on the left.

 

During the Classical Period (480-330BC) they built the Temple of Zeus (another of the Seven Wonders of the Ancient World) as well as several other temples and two stoas (In Ancient Greek architecture; covered walkways or porticos, commonly for public usage usually covering statuary, reliefs or paintings).  The Stoa of Echo or the Heptaechos (Seven Echoes in Greek) was built just inside the eastern sanctuary wall.  It separated the stadium and it's activities from the religious area of the civic center of Olympia.  It was named for the fact that if you shouted in one end you would hear seven echoes returning down the 323-foot length of the structure.  The only round structure in the city is the Phillipeon.  It was begun by Phillip II to commemorate his victory in Chaeroneia in 338BC.  He died and this son, Alexander the Great, completed it.

 

During the Hellenistic Period (330-31BC) the city really flourished.  The large Palestra and Gymnasium were constructed.  These buildings were the first to be dedicated to the training of athletes and were built adjacent to each other on the west edge of the area on the opposite side of the religious zone from the stadium.  The Palestra was for the training of the athletes involved in the heavy or combative contests like wrestling or boxing.  The gymnasium was a huge area surrounded by a low wall so that sports like discus and javelin could be practiced.  It also had a 200-meter track, like the stadium, for practicing the running events.  In case of bad weather it had a 212 meter covered portico with two aisles for 'indoor training'.  A change in ideology occurred during this time and statues of kings and rulers were added to those of the athlete heroes.  Seems like politicians have been hanging on the coattails of people of actual achievement for longer than I had realized. 

 

Somewhat Cynical Note: Unfortunately now it seems that the politicians have been doing that for so long they now believe that they are the people of achievement.  Aside from their own ever-expanding staffs, very few jobs have ever been created by someone elected to office.  In fact, it can be convincingly argued that the efforts of our elected officials, in some states more than others and at the national level, have been job killers.  Yet they continue to whine that US jobs are going overseas.  The true irony is that those who whine loudest and longest about job exportation are the strongest proponents of the very laws and regulations that make foreign outsourcing of jobs necessary for to be economically competitive and survive.  If government would just function wisely and efficiently and stick to matters that are actually the government's business, it has more than enough money to work with.

 

Then came the Romans (31BC-Fifth Century AD).  The Roman Emperor Augustus converted one of the city's temples to a worship center for his cult.  Nero built a villa here with a complex of thermal baths attached.  Parts of the city were fortified to prevent raids by Germanic tribes to the north.  In 394, the year after the 293 Olympics were held the games were banned and the Ancient Olympics ended. 

 

During the Early Christian Era the village was totally destroyed by earthquakes and covered in fluvial mud.  This protected the ruins from looting.  A Christian community settled nearby and built their homes on the deserted site.  One structure that was spared by the earthquakes, the workshop of the master sculptor Pheidias, was converted into a church.

 

One postscript of history should be mentioned here.  French historian Pierre de Coubertin revived the games 15 centuries later.  He requested that his heart be buried at Olympia after his death, of course, and that request was honored. 

 

We walked into the city from the northwest corner and the first building we encountered was the Gymnasium.  The rows of columns that supported the roof of the 'indoor' track are still partially standing.  The Palestra was right next-door and many of its columns are still standing and pretty complete.  Followed by the Heroon (Hero's Temple) and the nearby priest's house.  The Heroon is outside what would develop into the sacred part of the village.  It's just south of the Palestra and north of the Pheidias' Studio, definitely among the working people on the west side of the western sanctuary wall.  All the later temples to various gods are on the outside of the western sanctuary wall.  The stadium is also outside the eastern sanctuary wall, but the treasury buildings are all inside it.  Another indication that, once things become politicized, the politicians will find a way to keep the rest of us at arms length but keep our money inside their zone of control.  Ordinary people are no longer heroes and those in charge are busy exalting themselves.  (I considered putting that in italics but didn't because I think the sentiment is irrefutable and should be obvious to anyone.)

 

We walked down to the Temple of Zeus.  The high stone platform of which it rested is still there as are many of the pieces.  They have reconstructed one column to give some idea of how high it was but most of the carving and decoration that were found are in museums, not on site.  This is probably the smallest 'Wonder of the World' I've seen personally.  I guess for the time it was built it was pretty amazing but the Great Pyramid is older, much larger and probably harder to construct.  However from the reconstructions I've see of this temple, it was a glorious sight.

 

From the Temple of Zeus we walked past the east sanctuary wall and through the archway out into the stadium.  The broad gently sloping grassy hills on both sides of the stadium were said to hold 45,000 people.  There was no seating so it was blanket or stand I guess.  On the south side of the stadium at the center was a low rock wall that reserved an area for VIPs of some sort.  It's my understanding that the royalty in attendance was seated on the north side also at the center.

 

Along the west end of the track is a marble slab a little less than 2 inches high and about 18 inches wide that runs across almost the width of the competition area.  It's the start/finish line.  It has two parallel grooves that are painted black cut into it that run its entire length.  I'm not sure exactly what part the stripes play in the event but there's another marble slab 200 yards down the field. 

 

We walked back from the stadium to the Nymphaeon.  This structure was both religious and functional.  It served as a place to worship the water nymphs and it was also the terminus of the aqueduct bringing water to Olympia from the surrounding springs.  It building was semicircular and two stories tall.  It had niches on both stories that held statues of emperors and their families.  On the base and in the middle of the semicircle stood a marble bull with an inscription commemorating Regilia as a priestess of Demeter.  Water cascaded from the base of the semicircle into a pool that in turn cascaded down to a rectangular poll at the base.  From the Nymphaeon water was piped throughout Olympia.

 

The Temple of Hera is next.  It's much smaller than that of Zeus.  Since no stones whatsoever have been found for the upper entablature it's assumed that from the column capitals up the structure was wooden.  It's built at the foot of the Mountain of Kronos.  In later years it is believed that this structure served as a museum or relic storage facility.  Many precious objects were found during its excavation.  The most significant is the Disk of Iphitos, the founder of the games.  On it is inscribed the Ekecheiria or Truce, a treaty that required all the various states to cease hostilities while the games were in progress and for a sufficient interval before and after to allow the athletes to safely travel to and from Olympia.  I guess Olympia truly was a sanctuary in every sense of the word.

 

There are three standing columns of the circular Phillipeon with lintels spanning them.  The base is still intact so you could see how big it was.  I estimate about 80 feet in diameter.  The marble base has three steps that go all the way around so entry was possible anywhere along the perimeter.

 

From there we walked back to the new town of Olympia and Diana and I had a Cafe Latte on the patio of a small hotel and watched the tourists go by. 

 

In about half an hour it was back on the bus and back to the ship.

 

Our entertainer was Mike Goddard and English/Irish comedian who has lived in Barcelona for years.  He's a very funny fellow, about the funniest man I've ever heard on a ship.  We've seen him many times and he's hilarious every time, even when he tells stories you've heard before.  His timing and delivery are impeccable.  He's an older man and I think he's mostly retired.

 

It's a late night tonight because the Filipino crewmembers are doing their show this evening at 11PM.  I always go to these shows.  The performers are all crewmembers with very busy days but they give up their personal time to rehearse and perform for us.  The least I can do is show up and cheer like crazy no matter how much or little talent they exhibit.  Usually they are very good for amateurs.  You can tell that most of them are very nervous and it's fun to watch them as they calm down and get into their performances.  It's always a good time, another reason I always go.

 

Wednesday, May 4, 2011

#36 One More Picture

1. Part of Corinth with the Temple of Apollo in the background

Tuesday, May 3, 2011

#36 Ancient Corinth and the Corinth Canal

Pictures:
1. The Corinth Canal.  The sides are solid limestone.
2. Acrocorinth is the set of buildings near the left side of the granite outcropping.
3. This mosaic of Dionysus was from a Roman villa floor constructed during the Third Century BC
4. These are the somewhat unusual blue and tan jars from Corinth.
5. They also came in this darker tan and blue.
6. The Temple of Apollo, the main Greek structure left in Corinth.  Before excavation began those pillars were the only part of the city above ground.
7. This is the Bema, the place where civil judgments and contest rewards were given.
8. This is the Spring of Peiene.  The pool in the center was filled with water.  There are columned alcoves all around with access to the water 

April 26 – Piraeus-Corinth, Greece.  Most of the passengers are headed to Athens but we have been there several times, I lived in Greece for 18 months in the late '60s.  We're headed to Corinth instead.

While driving out of Piraeus we went between two sites from the Greek Olympics, the outdoor stadium and the indoor arena.  Our first stop was at the Corinth Canal.  It's located on the Peloponnesian Peninsula of Greece near place where the peninsula is the narrowest with the Saronic Gulf on the west and the Gulf of Corinth on the east.  As early as the Seventh Century BC when the locals built a road across this 4-mile strip of land for the portage of boats.  Ships would dock on one end of the road, be unloaded unto wagons, hauled up onto special wheeled platforms and hauled along with the cargo to the other end of the road where they were set afloat and reloaded to continue their trip.  This saved them the 190-mile trip around the Peloponnesia and a significant amount of time.

The idea of a canal is ancient and there were studies by Julius Caesar and emperors Caligula and Hadrian (talk about polar opposite people) but no action.  In sixty-seven AD Nero came to the area to take part in the games he kicked off construction by holding ostentatious ceremonies during which he dug the first shovel full of dirt with a golden spade.  Three months later the work stopped when he died.  The job was finally completed between 1881-1893 by Trikoupis, a Greek, with the help of French Company.  It's a sea level canal, no locks, and very short.  This probably explains why the French were able to build it but failed in Panama.  This might make the Greco-Roman project the longest running construction job in history, eighteen centuries.  We stopped near a bridge over the canal so we could walk out to get some good shots of the canal.  They have bungee (they spell it bungy) jumping off the bridge but, darn, it was closed.  After about a 45-minute stay we boarded the bus for the rest of the trip.

The city of Corinth had two parts, Ancient Corinth on the plains at the foot of the mountains and Acrocorinth on the mountaintop nearby.  We don't have enough time to get up there but will be visiting Ancient Corinth and its museum. 

Our first stop was the museum on the grounds of the ancient ruins.  It's not a large place but it is well organized and interesting.  When you enter you are in an open courtyard with a surrounding veranda on all sides.  In the open area they display some marble statuary and around the veranda on the walls and under the porch they have sarcophagi, statues, friezes and wall carvings.  Some are in a very fine state of preservation and some have been partially reconstructed.  Several of them were remarkable.  One showed a lion part way up a palm tree eating dates.  Another shows a soldier grasping the hair of a kneeling woman captive.  One sarcophagus was carved to look like a tile roof with a large garland of fruit, vegetables and grains draped across the lid with a small cherub holding it at the center.

Inside the museum they had displays of mosaics, pottery, statues, friezes and busts.  One mosaic floor that's 99% intact shows the head of Dionysus in the center of a circular geometric pattern with four urns with grape vines growing in them.  Some of the pottery was exceptional.  Some were decorated with geometric patterns including the Greek Key; some had pictures of animals, birds or people.  The main colors are tan, black and blue.  The tan and blue pottery was especially pretty.  Unfortunately all the pottery was behind glass and the reflections were awful.  Not many pictures possible.

I'm much happier out among the ruins than I ever am inside a museum.  I try to imagine the daily lives of the people that lived in them, the events that shaped their lives and the changes in the area over the years. 

Like many spots in Europe, this site has been inhabited since the Neolithic period, about 5000BC.  Fresh water was abundant here and that made life easier.  The plain below the foothills is fertile and easy to cultivate.  It also controlled the route overland from mainland Greece to the Peloponnesian Peninsula, as it's located on the narrowest part of the peninsula.  By the time the Apostle Paul visited here in 51AD it had passed through many hands including the Greeks to wind up as a Roman settlement.  Most of the remaining ruins are Roman but a few Greek structures remain.

As you approach the ruins the first thing you see is one of those Greek buildings, the Temple of Apollo.  It stands on the highest part of the city and seven of its tall columns are standing, five of them with their connecting lintels.  These Doric columns were the only part of the city that was still visible before excavations commenced.  Excavation started in 1982 and continues to this day.  

During the Roman period Corinth was the capitol of the Province of Achaia.  Most of the Roman buildings were later modified by other residents like the Byzantines.  The public area of the town was about 500 meters by 500 meters and in that area there were nine temples.  Only the temples of Apollo and Tyche have been positively identified.  Of the other seven, one is to the Unknown God and the other six have two possibilities each.  The Romans had a sort of catch all temple, dedicated to the Unknown God.  Just in case they had overlooked a god, they didn't want to tick him or her off.  Paul talked about when he was in Athens.  He noted that they had such a temple and proceeded to tell them about who that God was (Acts 17:23ff).  Apparently they had a similar temple here.  To say that the Romans were superstitious would be an understatement.

The city had the usual memorials, public baths and fountains.  One structure was of significant Biblical importance, the bema.  This is where victors would be brought to judge their performance.  It was not a place to determine if they won or lost but rather how well they had done and what their reward should be.  It was the bema that Paul referred to when he talked about the judgment seat for believers.  That's how he differentiated this judgment from the Great White Throne judgment of non-believers.  This is a critical theological distinction that is often overlooked.  Paul spent at least 18 months here teaching in the synagogue. 

It was an interesting place to visit but it's not one of those places that continually beckon you back like Rome, Ephesus or Knossos but I'm glad I saw it.

Back at the ship our entertainers were a local dance troupe, The Orpheus Group, performing some Greek folk dances.  They were good and I never tire of seeing men in short skirts and tights with tassels on their shoes. 

Monday, May 2, 2011

#35 More Pictures

1. This is my Diana with the goddess Diana (Artemis) of Ephesus.
2. The ruins of the Basilica of Saint John.  His grave is under the white marble inset with the columns at each corner in the center of the picture.  The fortress on the hill in the background was built by the Ottoman Turks.
3. This is a long telephoto shot of the place where the Temple of Diana once stood.  They've piled up pieces of a column to mark the spot.
4. This is one of the couples at the hotel lunch dance.
5. The front of the girl's costume.  It's in a bit of disarray because she's spinning.

#35 Kusadasi - Ephesus, Turkey

1. This is the reflected sunrise at Kusadasi Harbor
2. The Temple of Hadrian, Ephesus.
3. The Library and Tomb of Celsus, Ephesus
4. The Agora.  You can see the three arched main entrance beyond which the second story of the library (it's cream white) is visible.
5. The Ephesus Theater.
 

April 25 – Kusadasi – Ephesus, Turkey.  We've been here before but we are doing almost the same trip inland as we did last time.  Ephesus is a very important site from both a historical perspective and a Biblical perspective, the site of ancient Ephesus.  Kusadasi is a prime location for sun worshipers and historians.  Many people come here to get to the ancient village of Ephesus.  Lately however, it has developed into a tourist spot of its own. 

 

Ephesus was already a Greek city on the west coast of Anatolia in the 6th century BC, in the region known as Ionia during the Classical Greek Period.  It was one of the twelve cities of the Ionian League.  The city was famed for the Temple of Diana (aka Artemis, completed around 550 BC), one of the seven wonders of the ancient world.  It was destroyed in 401 AD.  The importance of the city as a commercial center declined as the harbor slowly filled with silt from the river Cayster.  Malaria began to plague the area as the silted in harbor formed a marsh that bred mosquitoes and it was deserted.  The sea is now more than 20 miles from the city site.

Ephesus was one of the seven churches of Asia mentioned in the Book of Revelation.  The Gospel of John might have been written here.  It is also the site of a large gladiator graveyard.  It has a long and illustrious history.

When Alexander the Great defeated the Persian forces at the Battle of Granicus in 334 BC, the Greek cities of Asia Minor were liberated and Alexander was greeted warmly in Ephesus when he entered it in triumph.  When he saw that the temple of Artemis was not yet finished, he proposed to finance the temple and have his name as an inscription of the front.  But the inhabitants of Ephesus refused, claiming that it was not fitting for a god to build a temple for another god.  This era is known as the Hellenistic Period.

 

Ephesus later became a subject of the Roman Republic.  Taxes rose considerably and the treasures of the city were systematically plundered.  When Augustus became emperor in 27 BC, he made Ephesus the capital of proconsular Asia, which covered the western part of Asia Minor.  Ephesus entered an era of prosperity.  It became the seat of the governor, growing into a metropolis and a major center of commerce.  It was second in importance and size only to Rome.  It is estimated that Ephesus had nearly half a million inhabitants in the year 100, making it the largest city in Roman Asia.  Ephesus was at its peak during the first and second century AD.

 

The city was famed for the Temple of Diana (Artemis), who had her chief shrine there, the Library of Celsus and its theatre, which was capable of holding 44,000 spectators.  This open-air theater was used initially for drama, but during later Roman times gladiators also fought there.  The population of Ephesus also had several major bath complexes, built at various points while the city was under Roman rule.  The city had one of the most advanced aqueduct systems in the ancient world, with multiple aqueducts of various sizes to supply different areas of the city.

 

Ephesus was an important center for early Christianity from the AD 50s.  From AD 52-54, the Apostle Paul lived here, working with the congregation and apparently organizing missionary activity into the outlying areas.  He became embroiled in a dispute with the Silversmiths, one of the strongest and most influential artisans guilds.  Their livelihood depended on selling the statuettes of Diana in the Temple (Acts 19:23–41).  He wrote the letter 1 Corinthians from Ephesus (possibly from the "Paul tower" close to the harbor, where he was imprisoned for a short time).  Later Paul wrote to the Christian community at Ephesus, according to tradition, while he was in prison in Rome (around 62 A.D.).  It is possible that this was a general or circular epistle, an encyclical.  Three early copies don't have a city name filled in the opening but have blank there instead.  Some take this to indicate that the letter was to be addressed to several different churches.  It's fairly well accepted that Paul used scribes because his eyesight was not too good or he had some problem that prevented him from writing legibly.  In any event I'm not sure this omission in later manuscripts is any indication of who was to get the letter.  It could be that some enterprising scribe was going to make a little money on the side by making copies addressed to certain individuals or cities.  It's not possible to tell from the evidence at hand, although since the letter does not contain any personal references or specific problems in Ephesus it is possible that it was to be circulated and just went to Ephesus first.

 

Anatolia was also linked with the Apostle John and the Gospel of John might have been written in Ephesus around AD 95.  Ephesus is one of the seven cities addressed in Revelation (2:1–7), indicating that the church at Ephesus was still strong.

 

Two decades later, the church at Ephesus there was still important enough to be addressed by a letter written by Bishop Ignatius of Antioch to the Ephesians in the early 2nd century AD, that begins with, "Ignatius, who is also called Theophorus, to the Church which is at Ephesus, in Asia, deservedly most happy, being blessed in the greatness and fullness of God the Father, and predestinated before the beginning of time, that it should be always for an enduring and unchangeable glory" (Letter to the Ephesians). The church at Ephesus had given their support for Ignatius, who was taken to Rome for execution.

 

Ephesus is the largest collection of Roman ruins east of the Mediterranean.  Only about 15% of the city has been excavated.  Can you tell that I'm really hyped to be here again?  Here's just one small part of the reason why.  When you visit Jerusalem or almost any site in Israel you can't be completely sure that you are walking on any of the streets or places any of the Biblical characters walked.  Almost everything has been covered over, built upon or otherwise destroyed.  (No, I really don't care what your guide there told you.  If he said you could be sure that Jesus touched or walked somewhere the odds are he was telling a whopper.)  Here in Ephesus we do have the problem of destruction but we don't have the problem of 'built upon'.  The structures are as they were.  Granted, many of them were built after the time that Paul and John were here, but some remain.  The theater mentioned in Acts 19 for example.  There's only one theater here and there's never been another one.  The road up from the port, Harbor Street, and the Marble Way in front of the theater are original, as is the Agora.  Unless Paul never went to the market or the theater in the three years he lived here he walked those streets.  The Library of Celsus, the Odeum and the Temple of Hadrian were all built later but the Temple of Diana was definitely there in Paul's time.  It's the near riot of Diana's devotees that caused Paul to leave Ephesus for Macedonia and after that Greece. 

 

The sun was just coming up as we sailed into the port.  Our room was facing west but the reflected sunrise on the clouds made for an interesting scene. 

 

Since we've been to Emphasis before we decided to add a few sights to give us something new to see.  Neither of these places can be dogmatically claimed to be authentic but the traditions are strong and they tell part of the story even if they are not the exact locations of the events. 

 

Our first stop was high on a hill about 6 miles from downtown Ephesus.  You may remember that while on the cross Jesus charged the Apostle John to care for Mary and told Mary to think of John as her son.  Tradition and history tell us they both accepted this admonition and John looked after Mary until her death.  Mary and John moved to Ephesus when things in Jerusalem became too dangerous and when the relationship between the Pantheists and Christians started to deteriorate in Ephesus she moved out of town to this mountaintop.  Tradition says she died here and there's a small chapel built of local stone atop the ruin of an ancient house.  The Roman Catholic Church strongly believes this spot in significant and many Popes have visited the site. 

 

Buses can't get to the top of the hill so it's another of those sites where you dismount and walk up to the top.  The simple rectangular chapel has no bell tower or cross on the outside to mark it as a religious site.  It looks more like a very small warehouse except for the arched windows.  Inside the chapel is not ornate at all but has an attractive simplicity to it.  They have some boxes of candles with the invitation to take two if you want.  Just past the chapel they have some sand candelabras where the faithful can light a candle and stick it in the sand.

 

Down some stairs to the side of the chapel there are fountains with water from the local spring.  Some of the pilgrims fill containers with it to take with them.  A little past the fountains there's a wall with grids of thin steel rods attached.  The grids were full of pieces of paper and cloth that presumably have requests and prayers on them.

 

Back down at the bus park I decided to use the WC while everyone was shopping.  To my great surprise I discovered the urinals with one of the prettiest views I've ever seen.  The wall in front of them has a rectangular opening about 18 inches high and almost the width of the wall looking out over a very green wooded hillside and valley.  Answering nature's call while observing nature's beauty.  Not bad.

 

Next stop; back down in the valley at the ancient city of Ephesus. 

 

Our guide Ozan (with a long O) did the smart thing and got us off the bus at the highest point of the city and let us walk downhill to meet the bus at the lower end.  I thought he looked a little familiar and when Diana asked me if he was our guide last time we were here I knew why.

 

The first recognizable structure you see looks like a small theater but it's the Odeon or more correctly the Bouleuterion because that's were the Bouleia (Senate) met.  It only holds about 1,500 and it is possible that it was also used for other purposes but it was built to serve as the meeting place of the Senate.

 

Directly east of the Odeon is the State Agoura with the Prytaneum, the administrative center of Ephesus.  This structure had a temple like appearance because the front façade was eight columns holding up a large entablature however the interior of the building consisted of a large hall surrounded by rooms that housed the religious and civic administrators of the city.

 

We walked down the street in front of these buildings until we came to a series of arched rooms that are still not fully excavated.  This area served as warehouses for the city's supplies of food, wine and other goods.  In a large field just south of this area we could see a large collection of marble chunks.  Some appeared to be parts of columns, lintels, walls and who knows what all.  Each had been marked with a series of numbers.  Ozan told us that this was the world's largest jigsaw puzzle.  As pieces are unearthed they are marked with numbers that identify where and when they were found.  They are then moved to this field and sorted by location.  As the supply of parts from a single location begins to grow people start to see if any of the pieces related to each other for the purpose of reconstruction. 

 

We walked down a small, narrow but nicely paved street an open area called Domitian Square where the Temple of Domitian, one of the largest temples in the city, was constructed.  This temple and its statue are some of the few remaining artifacts that can be connected with Domitian, who ruled fro 81 - 96 AD.  Originally it was used to venerate the still living emperor and his wife Domitia.  Later it was consecrated to his father, Vespisian.

 

There, on the side of the square, I encountered an old friend.  On a large triangular block of marble braced up on the side of the square was a carved relief of the same winged god that's on the frescoes all over the world.  My old pal Mercury is the easiest of the ancient gods for me to identify and I just love bumping into him.

 

Also on the Domitian Square is the Monument of Memmius, the grandson of the dictator Sulla.  It was erected in the 1st century AD, which puts it in the same time frame as both Paul and John.  It is thought that was the son of a friend of Cicero and died at an early age in about 50 AD (The first century is years 1 through 100.)

 

Overly Pedantic Math Moment:  It has always been amazing to me how our culture seems to accept the notion that actually provable facts can be a matter of opinion.  For example, what was the first year of the 21st Century?  If you said 2000 please move to the back of the class.  It was the year 2001.  I remember at the time that there were articles in the newspaper discussing which year it should be including Op-Ed pieces by people who are supposed to be reasonably intelligent.  Apparently Mathematics has now become the matter of opinion.  Keeping in mind that there was no 'Zero' year between BC and AD (the year 1 AD followed directly behind 1 BC), the first year in the 1st Century AD was the year 1.  Now, also keeping in mind that a century has to have 100 years in it, what would be the last year of the 1st Century AD?  That's right the year 100.  If it were the year 99 that century would be one year short of 100.  Therefore, the first year of the 2nd Century BC was the year 101 and the last year was the year 200.  Carrying that math forward and if we agree that a century without 100 years in it is something that does not exist then, the last year of the 20th Century was 2000 and the first year of the 21st Century was 2001.  Looking back on my profession, computer systems.  It seems that the Millennium Bug should have been called the Almost the Millennium Bug.  If a millennium is 1,000 years and the first year was 1 then the first millennium ended on Dec 31, 1000 and the second one ended Dec. 31, 2000.  Since the use of a 2-digit year (the Millennium Bug) would cause the program to fail on Jan 1, 2000 when the 2-digit year would go from '99' to '00', it wouldn't quite be the millennium yet.  Some things are just not a matter of opinion.  There really is such a thing as fact and truth or right and wrong and the sooner our society figures that out the better off we're all going to be.  Sorry, I couldn't help myself.

 

On the east side of the square is the Heracles Gate.  It's named after the images of Hercules found on its columns.  It's said that if you touch both posts of the gate at the same time you will have the strength of Hercules himself.  Don't you just hate it when they switch between the Greek and Roman names for the gods.  Heracles/Hercules or Diana/Artemis.  You say tomato, I say tomato.  (That doesn't work very well in writing)

 

Once you're through the gate you are on the Street of the Curetes, the city's main thoroughfare.  It's a fairly wide, marble slab paved street that runs downhill from Domitian Square to the small square that was at the center of Ephesus.  In essence it connects the civil agora with the mercantile agora.  (In English we've become accustomed to interpreting the work agora as marketplace.  What it actually means is 'open space' and since the largest open space in most Greek or Roman cities was the market the link is understandable.  However the open space where government was seated is also and agora.)  You have a great view of the library from the top of the street.  Along this street there were many structures only some of which have been identified.

 

On the right a little way down is the Nymphaeum (Fountain, sort of) of Trajan.  It was built in 102 AD and dedicated to the Emperor.  It had two basins one at the street and one a little higher and further back.  The water cascaded from under the statue of Trajan and fell seven feet to the first basin.  From there it flowed into the street side basin for use by passersby.  The two-story high façade was decorated with sculptures of Dionysus, Aphrodite, a satyr and statues of the imperial family.  The statue of Trajan was huge and only the base with part of an inscription survives.  Most of the sculpture is in museums, some here in Ephesus.

 

Almost directly across the street I noticed a wide mosaic sidewalk that runs parallel to the street.  Behind it are small rooms with arches at the back leading to other rooms.  Turns out it was a strip mall.  The mosaic was the walkway and the floors of the stores.  All in all it was about 15 yards long.

 

Across the street from the downhill end of the strip mall is an impressive structure, the Temple of Hadrian.  It has four columns across the front of the porch.  Between the center two columns is an arch with a bust of Tyche on the keystone.  The lintels between the outside columns are flat.  At the top of the arch is a great bust of Hadrian.  All the pediments and column capitals are ornately carved.  This area must have been a porch because five feet behind these entries is a wall with a central door leading into a room that has not been excavated.  Inside the porch on either side of the entablature are carved friezes with scenes from the foundation of Ephesus.

 

Just downhill from the temple was a large; three story building, the Baths of Varius.  These were the public baths of which the Romans were so fond.  Attached to the baths and in very good condition is the public latrine.  It has a layout that would probably make most Westerners uncomfortable.  There's a central pool that was uncovered.  Around the room, like the divans of the Tartars, there's a row of seats with keyhole shaped holes in them about 18 inches apart.  I've heard of dancing cheek to cheek but this is a whole new concept for me.  In areas where the seats are not set on the top you can look down inside.  They had constantly running water about four feet down to carry everything away.  Not bad for the times.  In front of the seats a small gutter was carved in the marble floor.  This was to reach down and wash off your hands and feet.  There's a larger bath at the gymnasium and there must have been others here in the city as this one is fairly small.

 

Across the street from the baths are the Hill Houses.  This was a fancy area of the city where the upper class lived.  It's currently under excavation.

 

A short distance down the street from here you are in the central square and facing the Library of Celsus, definitely the most beautiful building in Ephesus.  It was built around 114 AD by Gaius Julius Aquila, probably as a tomb and monument for his father Celsus.  But advances in city planning and the construction code thwarted his plans.  It seems that by the time the plans were completed and the materials on site it was only allowed to build a tomb in the city center if it was in the context of a public building, like a library.  Thus the tomb became a library and Celsus was buried in a vault in the buildings basement.  The façade is highly ornamented and has three doors flanked by double columns on each side.  Between these four double columns are niches with four statues personifying the characteristics of Celsus, wisdom (Sophia), courage (Arête), benevolence (Eunoia) and knowledge (Episteme).  It was two stories tall and contained more than 12,000 scrolls.  An interesting mark is inscribed on the stair just below the statue of Eunoia, a Jewish menorah.  Whether it was part of the original plan or graffiti from a later period it's hard to be certain.  It is in an odd place and is carved lying on its side as viewed from coming up the stairs.  There's other graffiti in the city that will come up later.

 

One interesting result of the establishment of this library was the development of parchment.  As the library grew it began to threaten the supremacy of the library in Alexandria.  As all scrolls were made of papyrus, which was made in Egypt, that country decided to stop exporting papyrus to prevent the growth of competing locations.  The locals here developed parchment which is made of animal skins and that led to the development of books as the pages of skins could be sewn together whereas parchment is too fragile to use in that way.

 

As you stand facing the library on the square, the building directly behind you is the brothel.  That puts the brothel between the library and the baths.  When you enter the square coming from the waterfront you have a choice to make, go right and study or go left for sex and then a bath.  Probably not a difficult choice for most of the sailors of the era.

 

To the right of the library is a large gate leading to a flat open area with columns around most of the perimeter.  This was the city commercial agora or market place.  From the central square there's a very wide street that goes between the market and the city gymnasium called the Marble Way.  When you get to the bottom of the Street of the Curetes if you turn right you are on the Marble Way.  Just past the agora and on the opposite side of the street is the city theater.  It could accommodate 44,000 people.  It was begun by the Greeks and expanded to its current size by Roman Emperor Claudius I.  It has a large stage building and the stage itself is very roomy.  The orchestra area is semicircular in shape.  In Greek times this area held the famous Greek Chorus.  They didn't use any instruments in their plays but had a group of people who spoke their lines in unison usually giving the audience information that the actors in the play didn't know.  "And now brave Agamemnon goes to meet his death!" might be something you would hear a Greek Chorus chant at the end of a scene.  In the later days of the Roman Empire, gladiatorial contests between men or men and animals were held here.  This necessitated the construction of a solid wall in front of the orchestra for its protection.  There are three large tiers of seats around the orchestra.  The highest seats are 100 feet higher than the level of the orchestra and a long way from the stage.  As is usual for this type of theater, the acoustics are fantastic.

 

It was to this theater that the crowd took Gaius and Aristarchus, Paul's traveling companions from Macedonia after seizing them in anger over the drop in sales of Diana merchandise.  Acts 19 records the events.  Paul wanted to go speak to the crowd but even the local governor didn't like that idea.  The city clerk of Ephesus took control of the assembly and said that if the artisans had charges to make let them file them in the courts.  After all the men of Ephesus are law abiding, honorable citizens, aren't they?  After that the crowd dispersed.  After this incident, Paul and his friends met with the city's Christians and then left for Macedonia. 

 

Along the Marble Way there are symbols carved into the paving slabs.  Some are very obscure but our guide stopped to explain one of the to us.  The Marble Way connects with the Arcadian Way the street coming up from the harbor.  The symbols in the pavement were the outline of a left foot, an archway and a square with a star over it.  The guide says that it means 'There's something interesting on the left at the square ahead that you will really enjoy.'  Of course, that's the location of the brothel.  Another one was a circle with lines across the diameter cutting it into 8 wedges.  This was the sign that Christians were here.  IXOYE are probably letters you recognize from the Christian fish symbol.  The circle cut into 8 slices has lines to trace all these letters.

 

At the far end of the theater there's a small columned fountain in the wall of the stage building.  This is one of the few Greek structures that is still as it was in the Hellenistic Period.

 

At that end of the theater, just by the gymnasium, we turned left onto the Arcadian Way.  Ahead we could see the remains of the port buildings including Paul's Tower where it is believed he was imprisoned.  Also at the harbor was a small bath and market. 

 

From there we walked along the ridge to the right and headed toward the parking lot where our bus was waiting.  I wish we had longer to look around the city.

 

We visited the Ephesus Museum next and it's a well-designed place that displays many of the artifacts discovered during excavations at the site.  Diana has wanted to see the statues of Diana (Artemis) from Ephesus for a long time and they have them here.  Lets just say that for a fertility goddess Diana was well equipped.  The version here in Ephesus has at least 30 breasts.  It was an informative and entertaining place to visit.

 

We are now climbing another hill, not as high as Mary's but definitely looking down over the plane of Ephesus.  It's the location of the Basilica of Saint John the Evangelist.  John the Apostle was a native of Ephesus and author of the only non-synoptic Gospel and the book of Revelation.  He's the only one of the twelve disciples who was not martyred but died a natural death.  There have been churches on this site since the Second Century dedicated to Saint John.  A large marble vault set in the floor of what would have been the sacristy of the church just past the crossing is said to be the site of his burial. 

 

From the top of this hill we had a good view of the lone column standing at what was the Temple of Diana, the main deity here in Ephesus.  Reduced sales of her artifacts because of the Apostles teaching was the caused the aforementioned riot here in the First Century.

 

After driving back to Kusadasi along the coast we stopped at the KoruMar Hotel for lunch.  The food here is very good but you have to like vegetables, cheese and olives.  There's meat at every meal but it's not the highlight.  The roasted or grilled vegetables, breads, olives and cheeses are the hit items.  Of course there are a multitude of things made with garbanzo beans.  All sorts of dips and side dishes that you eat with pita.

 

As good as it was the food was not the highlight of the stop.  They had a group of folk dancers, four couples, which performed for us.  I can't really judge the men fairly but the women were very attractive.  They were wearing red dresses with high necks and floor length hems.  Over that they wore white belted tunics that were also floor length and embroidered with gold and did not completely meet in the front allowing the bodice and part of the skirt to show.  Atop all this they wore red stovepipe hats with white, hip length veils attached at the back.  When they moved the dress, tunic and veil created attractive patterns of red and white.  The med were dressed in black shirts, leggings and Moscow type fur hats.  Over that they wore red, knee length jackets with silver piping.  A white scarf that was twisted down the front and tied to both sides of their belts at the back topped off the outfit.  A silver dagger and sheath hung from their belts.  The nearest thing I can compare them to would be Russian Cossacks. 

 

The women had a very smooth and twirling style to their dancing, as did the men when they danced as couples.  When the men danced alone it was with a much more energetic, acrobatic style.  I wish I could name the dance steps so that it would be easier to describe what I saw but I don't so you'll have to figure it out as best you can.  One of the men's steps was leaping straight up and landing on their knees then hopping up onto their feet.  That's got to hurt.  There's a men's dance step where they hold their arms our horizontally while they spin from foot to foot and move in a circle.  These guys do that step but not on their feet, on their knees.  The also do Cossack style kicking and last but not least they dance on their toes.  By the time they're 40 these guys won't be able to walk at all.  It was a very nice show.

 

It was a long and interesting day and I didn't go to the evening show.